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Rosemary Waugh

Rosemary Waugh

Biography

Rosemary is a freelance critic, specialising in theatre, dance and visual art. She has written for the TLS, New Statesman, Time Out and The i, among others. She is the current Chair of the Critics’ Circle (Drama Section). 

Recent Articles

1984 review

1984 review

Anniversary staging of George Orwell’s classic is visually striking, but emotionally unengaging
How Exeter’s Northcott Theatre is taking a fresh approach to local artists and community engagement

How Exeter’s Northcott Theatre is taking a fresh approach to local artists and community engagement

As Exeter Northcott Theatre enters a new phase of its life in the South West, co-leaders Martin Berry, Kelly Johnson and Emma Stephenson talk to Rosemary Waugh about adopting their plans, including a return to the venue producing its own shows – starting with new play The Commotion Time
Art review

Art review

Male friendship is magnified in Iqbal Khan’s thoughtful anniversary production of Yasmina Reza’s 1990s hit
Monique Touko: ‘I’m always looking for new ways to geek out on a production’

Monique Touko: ‘I’m always looking for new ways to geek out on a production’

Multidisciplinary artist Monique Touko talks about her journey to the theatre director’s chair, what piques her interest and her belief in the power of physical performance
Echo and Narcissus review

Echo and Narcissus review

Kim Brandstrup concludes his Grecian trilogy with a brilliantly unsettling dive through the looking glass
The Lover/The Collection review

The Lover/The Collection review

Excellent performances from a cast including David Morrissey and Mathew Horne elevate a pair of Pinter plays that are showing their age
Starter for Ten review

Starter for Ten review

Clever lyrics and an expert cast make this new musical buzz
Blue Beard review

Blue Beard review

Director Emma Rice returns in full force with a bloody twist on the so-called fairytale that combines political truth and heartbreak with a new sense of purpose
We’re living in the age of women directors. We just failed to notice it

We’re living in the age of women directors. We just failed to notice it

The creativity of women theatre directors has fuelled the industry for decades. Arts critic and journalist Rosemary Waugh says it’s time to appreciate the breadth and brilliance of these vital talents – and to make sure they’re supported to stay working
Phaedra and Minotaur review

Phaedra and Minotaur review

This double bill of mythological-inspired opera and contemporary dance excels in shadows and theatricality
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