What do fast-closing shows say about diverse stories on Broadway?
Luna in KPOP (left), and Shannon Matesky and Crystal Lucas Perry in Ain't No Mo' on Broadway. Photo: Matthew Murphy and Evan Zimmerman/Joan Marcus
Two Broadway shows written and performed predominantly by artists of colour, recently announced dramatically fast closures only weeks after opening. Howard Sherman deep dives into their struggles and asks what they tell us a
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.