Theatre has long been regarded as a safe space for LGBT+ people – both on stage and in the stalls. It has been a sanctuary, a place where inclusivity is not just encouraged but expected.
This is why the recent case of Seyi Omooba – the performer who was set to play the lesbian character Celie in The Color Purple before it emerged that she held anti-gay views – sent shockwaves throughout the industry. And it is also why the recent surge in homophobic incidents at theatres across the UK is so deeply shocking. It punctures the protective bubble that the LGBT+ community thought it had gained, fostering the hopeful belief that theatre might be immune from the backsliding on gay rights that we are witnessing in some other parts of the world.
First came reports of repeated homophobic incidents at the touring production of Here You Come Again, a musical featuring the songs of Dolly Parton. In one instance, as recounted by performer Steven Webb, “we had to eject someone who was shouting out slurs”. In another: “We had to stop the whole show as a woman was so disgusted there was a gay character on stage.”
That latter incident took place in Manchester. Now, just 35 miles away in Liverpool, a similar event has occurred at the Royal Court Theatre, where an audience member was ejected from a performance of The Peaceful Hour after shouting a homophobic comment towards the stage
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There has been much discussion in recent years about the decline in audience behaviour – particularly in the wake of the pandemic lockdowns – but this issue is categorically different from the other incidents that have been widely reported. This is not just a case of unruly behaviour or a lack of theatre etiquette. This is hate.
There is no grey area here. Homophobic abuse is not just unacceptable – it is hate speech. It is a crime, and it has no place in theatres or anywhere else in society.
In both of these cases, the theatres in question took swift and decisive action by ejecting the offending audience members. In Liverpool, the behaviour was reported to the police – a crucial step in ensuring that such actions have real consequences.
This is precisely the right course of action and it is a model that should be followed by all venues facing similar incidents. There can be no room for hesitation or equivocation. Offenders should be removed from the premises immediately and, just as we have seen in football stadiums where similar incidents have occurred, they should also be banned from returning.
LGBT+ performers, theatre staff and audiences must feel safe – without exception. Theatres must remain spaces of acceptance, not places where bigotry is allowed to fester unchecked.
As the statement issued by Liverpool’s Royal Court so aptly puts it: “We all deserve to feel safe, respected, and valued, regardless of who we love or how we identify.”
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