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Alistair Smith

Alistair Smith

Editor

Biography

Alistair Smith is editor of The Stage. He is also the author of two major industry reports (the London Theatre Report and the Theatre Workforce Review) and is the chair of theatre careers charity Get Into Theatre.

Recent Articles

We should be concerned that 20 of the top 35 producing theatres are dark in November

We should be concerned that 20 of the top 35 producing theatres are dark in November

This week The stage publishes it’s second regional ticketing survey findings, Alistair Smith discusses the key takeaways
Thursford Christmas Spectacular review

Thursford Christmas Spectacular review

Kitsch, traditional, high-budget show delivers on scale, Christmas camp and high-quality musical performances
If the National Theatre can’t afford primary schools tours, who can?

If the National Theatre can’t afford primary schools tours, who can?

Alistair Smith discusses the National Theatre’s cut to its primary schools touring programme and where the responsibility lies going forward
What can theatre learn from the campaign for grassroots music venues?

What can theatre learn from the campaign for grassroots music venues?

This week Alistair Smith discusses what he has discovered on his UK tour so far
Budget was a crushing disappointment for theatre sector

Budget was a crushing disappointment for theatre sector

Despite widespread optimism in theatre around Labour’s return to government, the principal impact of its first Budget is a damaging increase to employers’ national insurance contributions that will be felt in both the commercial and subsidised sectors and will affect theatres’ ability to employ staff
Big ideas are required to tackle the freelance crisis

Big ideas are required to tackle the freelance crisis

A majority of freelance workers in the arts are in a precarious position but ACE and the government will need radical ideas to remedy the situation, says The Stage Editor Alistair Smith
Employers need greater input into theatre training

Employers need greater input into theatre training

There are significant skills gaps within theatre, and there is no coherent, coordinated way for employers to tell drama schools what they want
What’s gone wrong with Scottish theatre?

What’s gone wrong with Scottish theatre?

Many of the ingredients for a thriving theatre sector are present in Scotland, but at the moment, the headwinds are just too strong
The Stage Debut Awards underline the importance of supporting artists

The Stage Debut Awards underline the importance of supporting artists

Many of the winners of The Stage Debut Awards reminded us that pursuing a route into this business is not easy – emerging artists need support
The National Theatre must continue to find new ways to evolve once Rufus Norris departs

The National Theatre must continue to find new ways to evolve once Rufus Norris departs

Norris says the five principles that have defined his tenure were programming new work, broadening representation, increasing the reach of the NT, a focus on young people, and sustainability
The Stage

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