Lyn Gardner: Transparent policies can offer theatre freelancers the support they deserve

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Lyn Gardner’s reasons to be cheerful

Could a new online community kick-start a revival for theatre debate?

Regional theatres are evolving with – and for – their communities

Show reports 2024: the year’s funniest onstage (and offstage) mishaps

Features by Georgia Luckhurst

Mark Rylance backs launch of new dance venue in Bristol

News by Katie Chambers

One more reason to be cheerful this year

Opinion by Alistair Smith

Quotes of the week December 19: Alan Cumming, Sharon D Clarke, Adam Lambert and more

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One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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Show reports 2024: the year’s funniest onstage (and offstage) mishaps

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Quotes of the week December 19: Alan Cumming, Sharon D Clarke, Adam Lambert and more

Quote UnQuote by The Stage

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Why pantomimes are so much more than just a Christmas treat

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

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Transparent policies can offer theatre freelancers the support they deserve

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