Katie Jackson: In our rush to return, let’s not accept sub-standard working conditions

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For theatre workers' sake, we need to stop saying the show must go on

Leaving (for now) is a wrench, but I’ll stay part of theatre’s great community

In our rush to return, let’s not accept sub-standard working conditions

Show reports 2024: the year’s funniest onstage (and offstage) mishaps

Features by Georgia Luckhurst

Puppet studio vandalism inflicts 'irreparable' damage

News by Georgia Luckhurst

Mark Rylance backs launch of new dance venue in Bristol

News by Katie Chambers

One more reason to be cheerful this year

Opinion by Alistair Smith

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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Katie Jackson

Katie Jackson worked as a stage manager for many years and is now a director working in Glasgow and London

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For theatre workers' sake, we need to stop saying the show must go on

Leaving (for now) is a wrench, but I’ll stay part of theatre’s great community

In our rush to return, let’s not accept sub-standard working conditions

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One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

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Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Lyn Gardner’s reasons to be cheerful

There’s a theatre sinkhole in the north and the sector’s turning its back on it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Blue Man Group is closing in NYC after 33 years. I finally went to see it

One more reason to be cheerful this year

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The Stage/Bridge Theatre Training Company scholarship winners 2024

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

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In our rush to return, let’s not accept sub-standard working conditions

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