Including unheard voices in new opera will keep the art form relevant
Kaija Saariaho and Sofi Oksanen’s Innocence, the acclaimed production that was only the third opera by a female composer to be commissioned for the Royal Opera House main stage. Photo: Tristram Kenton
Royal Opera House creative producer Kate Wyatt examines the role of commissioning in ensuring that opera speaks to contemporary society and that the art form can be for everyone
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