Empathy and a desire to connect are an actor’s greatest strengths

Frantic Assembly unveils 30th anniversary season as it renews fundraising efforts

Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Stephanie Street

Stephanie Street is an actor, writer and co-founder of Act for Change

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Opinion

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Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

We make putting on panto look easy – oh no it isn’t

Call me Scrooge, but this over-told tale is so rarely done well

If the National Theatre can’t afford primary schools tours, who can?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

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Roald Dahl drama starring John Lithgow to transfer to West End

Frantic Assembly unveils 30th anniversary season as it renews fundraising efforts

Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Roald Dahl drama starring John Lithgow to transfer to West End

Frantic Assembly unveils 30th anniversary season as it renews fundraising efforts

Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage