Bridging the gap: today’s joker could well be tomorrow’s theatre megastar
Richard Gadd in Baby Reindeer at Summerhall at the Edinburgh Festival Fringe, (2019). Photo: Andrew Perry
When such craft is needed to prepare a stand-up show, it seems strange that the theatre industry seems to overlook them, says Anya Ryan
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.