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More about this person

100 years on, why Frank Matcham remains theatre’s master builder

Long Reads by Tim Bano

Grand history: Frank Matcham's Blackpool masterpiece celebrates 125 years

Archive by Catherine Jones

Belfast’s Grand Opera House launches £11m restoration plan

News by Michael Quinn

How Blackpool Tower Circus has stayed at the top for 100 years

Features by Katharine Kavanagh

Production News

Layton Williams and Rob Houchen among stars of Titanique in West End

by Katie Chambers

Matilda the Musical announces 2025 tour opening at Curve

by Georgia Luckhurst

Emma Corrin and Jason Watkins to join Cate Blanchett in The Seagull

by Katie Chambers

Dawn Sievewright leads cast for Wild Rose world premiere

by Georgia Luckhurst

Sing Street and Ibsen’s Ghosts in Lyric Hammersmith 130th anniversary season

Phantom of the Opera exhibition planned as limited edition prints unveiled

Anu Giri appointed executive director of English National Ballet

NYT teams up with Microsoft on AI skills workshop for young creatives

Pantomime dame Nigel Ellacott dies

National and RSC back calls on government to prioritise oral skills in schools

Royal Exchange front-of-house staff lose weeks of pay following cancellation

West End theatres to dim lights for Gavin Creel

'Bloodbath': Scotland's arts leaders warn of closures amid financial woes

Fleetwood Mac producer sues creators of Broadway's Stereophonic

Drama schools defend audition fees in wake of Equity abolition campaign

Emma Corrin and Jason Watkins to join Cate Blanchett in The Seagull

WNO chorus continues strike suspension following 'constructive' talks

Strike action by Welsh National Opera chorus members remains on pause, with disruption proposed for October 11 suspended

Coronavirus: Matthew Bourne productions to be broadcast on TV

Matthew Bourne shows including Romeo and Juliet, Swan Lake and The Car Man will be screened on Sky Arts as part of a digital programme from his company New Adventures.

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Royal Exchange front-of-house staff lose weeks of pay following cancellation

Front-of-house casual workers claim that the venue opted not to pay them for three weeks of shifts they had been expecting to work during a run of A Midsummer Night’s Dream