Fallow years: could theatre learn something from Glastonbury?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Manchester's HOME to open free artist development space in early 2025

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Fallow years: could theatre learn something from Glastonbury?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Patching over problems is no longer enough. Theatre needs radical change

Opinion

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Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

If the National Theatre can’t afford primary schools tours, who can?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Alternates make roles their own – and should be saluted for it

We make putting on panto look easy – oh no it isn’t

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The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Steffan Rhodri: ‘I have just played Banquo but I wouldn’t mind playing Macbeth’

Steffan Rhodri’s love for theatre has been growing since he was just eight years old, and it shows no sign of disappearing as he gears up to star in The Little Foxes at the Young Vic this winter. He tells Fergus Morgan about his career so far

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

A capital development project aimed at putting accessibility at the heart of Orange Tree Theatre is scheduled to begin in 2026

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Singing waiters from Theatre Cafe Diner reunite for celebratory concert

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Manchester's HOME to open free artist development space in early 2025

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Singing waiters from Theatre Cafe Diner reunite for celebratory concert

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Manchester's HOME to open free artist development space in early 2025

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’