In session: the rise of the therapy play and why it makes good drama
Maureen Beattie and Tara Fitzgerald in Duet for One at the Orange Tree Theatre, London (Photo: Helen Murray) and Josef Davies and Lizzy Watts in Ravenscourt at Hampstead Theatre, London (2022)
Two chairs sit opposite each other on a stage – a recognisable set up, even without the many plays recently produced about therapy. But why is it such a hot topic? Theatremakers discuss why this narrative is both compelling and important
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