Train at Razzamataz Theatre Schools with The Stage Scholarships

Karis Anderson: Every show should help shine a light on backstage roles

Ignoring the arts in the Budget is a disaster – this week in Your Views

Solange Urdang: Theatres must do more to introduce backstage roles to kids

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Producers face immense personal and professional pressures – here’s how we can help

Does theatre’s artistic leadership model need to evolve?

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Everyone is welcome at the theatre, unless...

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Beware trying to adapt a masterpiece for the stage

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Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Karis Anderson: Every show should help shine a light on backstage roles

Ignoring the arts in the Budget is a disaster – this week in Your Views

Solange Urdang: Theatres must do more to introduce backstage roles to kids

Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

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Opinion

Latest
Most Read

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Producers face immense personal and professional pressures – here’s how we can help

Everyone is welcome at the theatre, unless...

Funded venues are struggling. It’s why fringe theatre is so important

Times are tough for touring theatre – this is Arts Council England’s answer

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Should you change agent? Or is it just the slow market? Here is my take

Producers face immense personal and professional pressures – here’s how we can help

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Technical Manager 1.0 FTE

Eoin McAndrew wins Soho Theatre’s Verity Bargate Award

McAndrew receives £8,000 for an exclusive option for Soho Theatre to produce his winning script, Little Brother

Eoin McAndrew wins Soho Theatre’s Verity Bargate Award

McAndrew receives £8,000 for an exclusive option for Soho Theatre to produce his winning script, Little Brother

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Rigging Technician

London £32,188 per annum

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Trustee - Get Into Theatre

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Castings

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Female souls singer dancer e...

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The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

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Narrator in The Happy Prince

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London Paid

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Heaton Park, Manchester Paid

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Heaton Park, Manchester Paid

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Karis Anderson: Every show should help shine a light on backstage roles

Ignoring the arts in the Budget is a disaster – this week in Your Views

Solange Urdang: Theatres must do more to introduce backstage roles to kids

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

“I’d love to demolish the hierarchy of power that exists in ...”

Recommended for you

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Karis Anderson: Every show should help shine a light on backstage roles

Ignoring the arts in the Budget is a disaster – this week in Your Views

Solange Urdang: Theatres must do more to introduce backstage roles to kids