Actor Maureen Hibbert: 'My first job taught me not to compare myself to others'

SUBSCRIBE

Broadway & International

Training & Drama Schools

Backstage & Technical

Opera

Dance

West End

Musical Theatre

Pantomime

Edinburgh Fringe

Obituaries & Archive

NPO 2023-26

Awards

Jobs & Auditions

Hot Topics

Acting & Performance

Shakespeare

John Byrne

More from this Author

Michael Carklin: 'The ability to listen is the foundation of collaboration'

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

Emily LeQuesne: 'Without the arts, what are we for?'

A Squash and a Squeeze review

Reviews by Oliver JonesLittle Angel Theatre, London

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

Training & Advice by John Byrne

How can a show be kept fresh over a long run?

The Green Room by Jon Dryden Taylor

Driftwood review

Reviews by Holly WilliamsTanya Moiseiwitsch Playhouse, Sheffield

Shows change. A critic’s opinion on them can – and should – change, too

Trump is already tightening his grip on US arts. What does it mean for the future?

New technology is giving human followspot operators a bad name

BAFTA may have snubbed Wicked for best film, but it's still a win for stage-to-screen musicals

The art of show-stopping should not be underestimated

Arts access isn’t just about careers – it helps us be better humans

Adopting a ‘no seat should be left lonely’ policy stigmatises solo theatregoing

Does the Coraline cancellation signal a shift in theatre's response to misconduct allegations?

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

Is this the year the National Theatre of Scotland turns its fortunes around?

What could theatre learn from British Airways' controversial changes to its loyalty programme?

The art of show-stopping should not be underestimated

Recommended for you

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

Training & Advice by John Byrne

How can a show be kept fresh over a long run?

The Green Room by Jon Dryden Taylor

A visit to the past is a reminder that theatre's future depends on its grassroots

Opinion by Richard Jordan

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

Training & Advice by John Byrne

John Byrne

John Byrne is careers adviser for The Stage and is also a writer, cartoonist, performer and broadcaster

More from this author

Michael Carklin: 'The ability to listen is the foundation of collaboration'

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

Emily LeQuesne: 'Without the arts, what are we for?'

Opinion

Latest
Most Read

Shows change. A critic’s opinion on them can – and should – change, too

Trump is already tightening his grip on US arts. What does it mean for the future?

New technology is giving human followspot operators a bad name

BAFTA may have snubbed Wicked for best film, but it's still a win for stage-to-screen musicals

The art of show-stopping should not be underestimated

Arts access isn’t just about careers – it helps us be better humans

Adopting a ‘no seat should be left lonely’ policy stigmatises solo theatregoing

The art of show-stopping should not be underestimated

The US’ backlash against equality and diversity has begun – the UK will be next

Trump is already tightening his grip on US arts. What does it mean for the future?

Shows change. A critic’s opinion on them can – and should – change, too

New technology is giving human followspot operators a bad name

Advice

Michael Carklin: 'The ability to listen is the foundation of collaboration'

by John Byrne

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

by John Byrne

Emily LeQuesne: 'Without the arts, what are we for?'

by John Byrne

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

by John Byrne

Royal Court designer wins £20k Arts Foundation fellowship

TK Hay is one of five artists to secure a grant under the 2025 Arts Foundation Futures Awards commitment to double its prize money in light of the increased financial precarity for culture workers

Royal Court designer wins £20k Arts Foundation fellowship

TK Hay is one of five artists to secure a grant under the 2025 Arts Foundation Futures Awards commitment to double its prize money in light of the increased financial precarity for culture workers

Jobs

Deputy Chief Electrician

Salary: £46,800 per annum, £900 per week. Salary wi...

Actor Maureen Hibbert: 'My first job taught me not to compare myself to others'

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital