Esther Richardson: Young people should see that risk is fundamental to theatre’s purpose

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Esther Richardson

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Esther Richardson

Esther Richardson is artistic director at Pilot Theatre

More from this author

Young people should see that risk is fundamental to theatre’s purpose

Opinion

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Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

US shows are resonating very differently after Trump’s election win

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

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Call me Scrooge, but this over-told tale is so rarely done well

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Roald Dahl drama starring John Lithgow to transfer to West End

Mark Rosenblatt’s play Giant will transfer to the West End next year, with John Lithgow to reprise his role as controversial children’s author Roald Dahl

Roald Dahl drama starring John Lithgow to transfer to West End

Mark Rosenblatt’s play Giant will transfer to the West End next year, with John Lithgow to reprise his role as controversial children’s author Roald Dahl

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Young people should see that risk is fundamental to theatre’s purpose

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