Why do we keep investing in the same people to fix our diversity problem?

Outgoing Theatres Trust director reveals 'regret' over absence of buildings fund

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Long Reads by Lyn Gardner

A day in the life of… a finance department: Battersea Arts Centre

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Producers face immense personal and professional pressures – here’s how we can help

Does theatre’s artistic leadership model need to evolve?

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Everyone is welcome at the theatre, unless...

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Beware trying to adapt a masterpiece for the stage

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Amanda Parker is a cultural business strategist and consultant, working across theatre, TV, film and publishing. She also founded Inc Arts UK and campaigns for greater inclusion in the arts sector workplace

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Opinion

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Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Producers face immense personal and professional pressures – here’s how we can help

Everyone is welcome at the theatre, unless...

Funded venues are struggling. It’s why fringe theatre is so important

Times are tough for touring theatre – this is Arts Council England’s answer

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Should you change agent? Or is it just the slow market? Here is my take

Producers face immense personal and professional pressures – here’s how we can help

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Technical Manager 1.0 FTE

Eoin McAndrew wins Soho Theatre’s Verity Bargate Award

McAndrew receives £8,000 for an exclusive option for Soho Theatre to produce his winning script, Little Brother

Eoin McAndrew wins Soho Theatre’s Verity Bargate Award

McAndrew receives £8,000 for an exclusive option for Soho Theatre to produce his winning script, Little Brother

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London Paid

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Heaton Park, Manchester Paid

Six producer: It’s never been more important to platform female voices on stage

Outgoing Theatres Trust director reveals 'regret' over absence of buildings fund

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Long Reads by Lyn Gardner

A day in the life of… a finance department: Battersea Arts Centre

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Recommended for you

Six producer: It’s never been more important to platform female voices on stage

Outgoing Theatres Trust director reveals 'regret' over absence of buildings fund

Labour's Budget risks breaking the party's promises to theatre's 'working people'