Why are we still staging Shakespeare now? That is the question
The Tempest at Shakespeare’s Globe (Photo: Marc Brenner); Hamlet with Ian McKellen at Ashton Hall, Edinburgh (Photo: Devin de Vil); Romeo and Juliet at Shakespeare's Globe (Photo: Tristram Kenton); All’s Well That Ends Well at Royal Shakespeare Theatre, Stratford (Photo: Ikin Yum)
Can Shakespeare still speak to contemporary issues? Should you stick to the text or be inventive? How do you tackle his prejudice? Erica Whyman unpacks the nuanced obstacles and why the pull of Shakespeare is timeless
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.