What the Roald Dahl furore means for musical 'revisals'
Theatremakers can’t necessarily look at the Dahl situation with prideful superiority, says Howard Sherman. Photo: Shutterstock
Edits to the children’s author’s books to remove language deemed offensive led to a backlash, but such editing is not uncommon in musical theatre. Howard Sherman argues that changes are best made for artistic purposes rather than an attempt to wring more revenue out of unpalatable material
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