The Stage

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Masquerade reveals the many moving parts of a Lloyd Webber musical

Broadway success for Gatsby doesn’t necessarily ensure financial stability

The UK risks becoming a hostile landscape for international producers

Opinion by Ross Mollison

Othello starring David Harewood and Toby Jones – review round-up

Review Round-Ups by Fergus Morgan

Why I still invest in New York shows despite Broadway’s broken model

Opinion by Thomas Hopkins

Will Jamie Lloyd continue to reinvent or is he stuck in a corner?

Opinion by Richard Jordan

EBacc’s damage to the theatre talent pipeline will persist without investment

11 things your agent won’t tell you, but wishes you knew

The UK risks becoming a hostile landscape for international producers

The Curriculum Review could transform arts education for a generation

What Stephen Fry's return to the Noël Coward says about mental health progress in theatre

Don’t despair if Play for Today is not a perfect replica of its old self

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The UK risks becoming a hostile landscape for international producers

Opinion by Ross Mollison

Othello starring David Harewood and Toby Jones – review round-up

Review Round-Ups by Fergus Morgan

Why I still invest in New York shows despite Broadway’s broken model

Opinion by Thomas Hopkins

Will Jamie Lloyd continue to reinvent or is he stuck in a corner?

Opinion by Richard Jordan

Howard Sherman, a veteran of US institutional theatres, is a New York-based arts administrator, writer and advocate. He is director of the Baruch Performing Arts Center, a vigorous activist against theatrical censorship, and author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century. Howard has been a contributor to The Stage since 2012.

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Masquerade reveals the many moving parts of a Lloyd Webber musical

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Broadway success for Gatsby doesn’t necessarily ensure financial stability

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EBacc’s damage to the theatre talent pipeline will persist without investment

11 things your agent won’t tell you, but wishes you knew

The UK risks becoming a hostile landscape for international producers

The Curriculum Review could transform arts education for a generation

What Stephen Fry's return to the Noël Coward says about mental health progress in theatre

Don’t despair if Play for Today is not a perfect replica of its old self

Advice

Pat O’Toole: ‘Building a toolkit to support your mental fitness is crucial’

by John Byrne

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

by John Byrne

Who needs drama school anyway?

by John Byrne

Applied theatre: what is it and is it the right path for you?

by Samantha Marsden

Mark Rylance and Harriet Walter call for storytelling to tackle climate crisis

Actors including Mark Rylance and Harriet Walter have backed an open letter calling for the cultural sector to play a bigger role in tackling the climate crisis

Mark Rylance and Harriet Walter call for storytelling to tackle climate crisis

Actors including Mark Rylance and Harriet Walter have backed an open letter calling for the cultural sector to play a bigger role in tackling the climate crisis

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Wall Street Journal hire is a win for media theatre coverage

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