Samantha Marsden was a freelance drama teacher for 10 years, working for theatre companies, youth theatres and state, private, and special schools. Now she writes drama teaching resources, and fiction, while teaching a little alongside this. She is the author of 100 Acting Exercises for 8 – 18 Year Olds, and the Pocketful of Drama book series, which includes Acting Games for Improv, and Drama Games for Early Years. Instagram @pocketfulofdrama. Twitter @SamMarsdenDrama
With many drama schools soon to start their audition processes, Sam Marsden asks a range of experts for their best advice on how to impress the audition panel, what to do to prepare and why being yourself is so important
Gearing up for drama school auditions can be a daunting process. Tutors, lecturers and audition panellists from schools including RADA, LIPA and the Royal Conservatoire of Scotland tell Samantha Marsden how potential students can prepare
It is great to be in a strong position when you’re choosing which drama school to attend – but how do you actually make that call? The Stage breaks down what incoming students should be thinking about before taking the plunge
When choosing a drama school, it’s important to think not just about how the training will help your career, but how you can show your talents to the wider industry. Students and course leaders tell Samantha Marsden about how showcases are adapting
With contemporary musicals embracing an ever wider range of styles – from heavy rock to hip hop – drama school course leaders tell Samantha Marsden how they are adapting vocal training to prepare students for versatile stage careers
Young people have been badly affected by the isolating effects of the pandemic, but youth theatre can provide an opportunity for them to socialise and reconnect with the community. Youth theatre leaders tell Samantha Marsden how it can help
Covid restrictions made 2020 a tough year for drama training, but being forced online has opened up learning to a wider audience. Samantha Marsden looks at some of the courses available this year and how they differ from past offerings
Performers who have forged a career without traditional training tell The Stage about the advantages of not taking a formal drama course, as well as what they may have missed out on
Over the past year, theatres have made a great effort to bring drama education into people’s homes. Samantha Marsden rounds up a selection of useful free educational resources to inspire the next generation of theatremakers and audiences