Editor's View: The State of the Arts report shows how cuts have left UK culture on a precipice

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One more reason to be cheerful this year

National insurance increase is as bad as a £100m cut to theatre sector

Shakespeare prison project shows the sweet spot between excellence and inclusion

Politicians call on culture, media and sport workers to share their challenges

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Young Vic reports 'stabilising' financial year as it takes control of costs

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Mark Rylance backs launch of new dance venue in Bristol

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One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

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Blue Man Group is closing in NYC after 33 years. I finally went to see it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

NDAs are overused. What can theatre do about it?

Regional theatres are evolving with – and for – their communities

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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Show reports 2024: the year’s funniest onstage (and offstage) mishaps

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News by Katie Chambers

Alistair Smith is editor of The Stage. He is also the author of two major industry reports (the London Theatre Report and the Theatre Workforce Review) and is the chair of theatre careers charity Get Into Theatre.

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

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The State of the Arts report shows how cuts have left UK culture on a precipice

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