Editor's View: The gift theatre really needs this Christmas

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We should be concerned that 20 of the top 35 producing theatres are dark in November

If the National Theatre can’t afford primary schools tours, who can?

What can theatre learn from the campaign for grassroots music venues?

Jack and the Beanstalk review

Reviews by Hugh DichmontNottingham Playhouse

Protesters rally to save beleaguered east London theatre company

News by Katie Chambers

Meet the women transforming Northern Irish theatre

Features by Michael Quinn

Sleeping with Beauty: One Little Prick review

Reviews by Paul ValeUnion Theatre, London

With Bluesky on the horizon, is the sun going down on ‘Theatre Twitter’?

Regional theatres are evolving with – and for – their communities

Did Tammy Faye lose its sense of proportion on the way to Broadway?

Beyond ticket prices: the battles and benefits of regional theatre

Musical theatre lost so much talent to AIDS, but we must remember how it also helped change perceptions

We should be concerned that 20 of the top 35 producing theatres are dark in November

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

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News by Katie Chambers

Alistair Smith is editor of The Stage. He is also the author of two major industry reports (the London Theatre Report and the Theatre Workforce Review) and is the chair of theatre careers charity Get Into Theatre.

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Jack and the Beanstalk review

Written and directed by Adam Penford, Nottingham Playhouse’s panto, featuring vocal cameos from Ian McKellen and Julie Hesmondhalgh, is a shameless crowd-pleaser of a family pantomime

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The gift theatre really needs this Christmas: a bumper season

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