David Benedict: Singers take note – voice is not always the key

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David Benedict

David Benedict

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David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent and arts editor of the Observer. He is chief London critic of Variety, a regular guest on the BBC, and is currently writing the authorised biography of Stephen Sondheim. Read David's columns for The Stage every Wednesday.

More from this author

My favourite show: Paule Constable

What's the difference between a musical and an opera? Festen crosses that divide

Titanique is pure theatrical silliness – let’s have more of its ilk in the West End

Opinion

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What’s behind the trend of mini-musicals on Broadway?

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Could a fast-growing global fringe circuit dim Edinburgh's spotlight?

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Lisa Nandy’s speech reflects back to us the sector’s existential confusion

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Advice

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Emily LeQuesne: 'Without the arts, what are we for?'

Emily LeQuesne: 'Without the arts, what are we for?'

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

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Unicorn Theatre names Rebekah Jones executive director

Unicorn Theatre names Rebekah Jones executive director

Rebekah Jones has been made the executive director and co-chief executive at south London children’s venue the Unicorn Theatre

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Unicorn Theatre names Rebekah Jones executive director

Unicorn Theatre names Rebekah Jones executive director

Rebekah Jones has been made the executive director and co-chief executive at south London children’s venue the Unicorn Theatre

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Advice

Michael Carklin: 'The ability to listen is the foundation of collaboration'

Michael Carklin: 'The ability to listen is the foundation of collaboration'

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

Fabia-Maria Cerra: 'I got my first paid acting job after 12 years of auditioning'

Emily LeQuesne: 'Without the arts, what are we for?'

Emily LeQuesne: 'Without the arts, what are we for?'

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

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What’s behind the trend of mini-musicals on Broadway?

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Il trovatore review

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Il trovatore review

Reviews by Yehuda ShapiroRoyal Opera House, London

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Reviews by Holly O'MahonyBelgrade Theatre, Coventry

Watermill to stage 'semi-immersive' Jesus Christ Superstar this summer

Watermill to stage 'semi-immersive' Jesus Christ Superstar this summer

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