Katie Sykes: Our designers' group in the South West has been a model of creative solidarity

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Our designers' group in the South West has been a model of creative solidarity

The Stage UK ticketing survey 2024: cheapest seats fall as top prices rise by 15%

News by Giverny Masso

Beyond ticket prices: the battles and benefits of regional theatre

Opinionby Patrick Gracey

The Stage UK ticketing survey 2024: breakdown in full

Long Reads by Giverny Masso

The Stage UK ticketing survey 2024: data in full

Features by Giverny Masso

Beyond ticket prices: the battles and benefits of regional theatre

Musical theatre lost so much talent to AIDS, but we must remember how it also helped change perceptions

We should be concerned that 20 of the top 35 producing theatres are dark in November

Shakespeare has always engaged with those on society’s margins – it still does

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I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

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The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

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The Stage UK ticketing survey 2024: cheapest seats fall as top prices rise by 15%

News by Giverny Masso

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The Stage UK ticketing survey 2024: data in full

Features by Giverny Masso

We should be concerned that 20 of the top 35 producing theatres are dark in November

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Katie Sykes is a set and costume designer based in the South West. She has worked on productions including Jane Eyre (National Theatre/Bristol Old Vic), A Monster Calls (Old Vic), The Great Gatsby (Wardrobe Theatre/Wardrobe Ensemble) and Love’s Labour's Lost (Sam Wanamaker Playhouse)

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Our designers' group in the South West has been a model of creative solidarity

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Beyond ticket prices: the battles and benefits of regional theatre

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Shakespeare has always engaged with those on society’s margins – it still does

Wicked is casting a spell over film audiences – what's the secret to its screen success?

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

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Wicked is casting a spell over film audiences – what's the secret to its screen success?

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Why Am I So Single? producer Kenny Wax has attributed the show’s early closure to its niche appeal and younger audiences being unwilling to splash out on tickets

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Our designers' group in the South West has been a model of creative solidarity

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