Live from Broadway: Les Miserables returns with Ramin Karimloo

Actor Danny Mac: 'Strictly Come Dancing helped me to get leading roles'

Richard Jordan: Audiences decide which shows are events, not their marketing campaigns

Remaking a West End landmark – how Cameron Mackintosh transformed the Queen’s into the Sondheim Theatre

Long Reads by Tim Bano

A single play has the power to alter your world view. This one did it for me

Bridging the gap: today’s joker could well be tomorrow’s theatre megastar

Lessons must be learned from the Royal Exchange cancellation

Is having an iron grip on the works of dead artists stifling creativity?

The National Theatre must continue to find new ways to evolve once Rufus Norris departs

Solutions to some of the challenges in the arts go beyond calls for more cash

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Original musicals such as Six and Why Am I So Single? remain a hard sell in the West End

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Great art matters – but not to the detriment of those making it happen

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

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Opinion by Former Member

Mark Shenton

Mark Shenton is a theatre critic. He was a regular columnist and associate editor of The Stage until 2019.

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Opinion

Latest
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A single play has the power to alter your world view. This one did it for me

Bridging the gap: today’s joker could well be tomorrow’s theatre megastar

Lessons must be learned from the Royal Exchange cancellation

Is having an iron grip on the works of dead artists stifling creativity?

The National Theatre must continue to find new ways to evolve once Rufus Norris departs

Solutions to some of the challenges in the arts go beyond calls for more cash

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Mid-scale musicals are being squeezed out – but some are figuring out how to thrive

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

Lessons must be learned from the Royal Exchange cancellation

Audiences are starting to expect celebrities on stage – does theatre need to rethink?

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

Lucie Lutte: 'Getting feedback from peers helps with growing a tough skin for criticism'

Italia Conti 2024 Scholarship Winner

Deputy Company Manager – Oli...

A single play has the power to alter your world view. This one did it for me

Counting and Cracking, the multigenerational play by S Shakthidharan at New York’s Belvoir Street Theatre, means I will never skip over news about Sri Lanka again, says Howard Sherman

Lynette Linton and Daniel Bailey to leave London’s Bush Theatre in 2025

Associate artistic director Bailey will leave in January, with artistic director Linton set to depart in March

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Actor Sabrina Aloueche: 'My first two jobs were Les Misérables and We Will Rock You'

Actor Danny Mac: 'Strictly Come Dancing helped me to get leading roles'

Richard Jordan: Audiences decide which shows are events, not their marketing campaigns

Opinion by Alistair Smith

Remaking a West End landmark – how Cameron Mackintosh transformed the Queen’s into the Sondheim Theatre

Long Reads by Tim Bano

More about this person

Exquisite Drury Lane revamp is a gift to future generations

Cameron Mackintosh: West End shows may be closed until summer 2021 without help

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Editor’s View: Mackintosh’s shows may be closed until 2021, but theatre is more than big musicals

Opinion by Alistair Smith

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News by Giverny Masso

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

Lucie Lutte: 'Getting feedback from peers helps with growing a tough skin for criticism'

Italia Conti 2024 Scholarship Winner

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Actor Sabrina Aloueche: 'My first two jobs were Les Misérables and We Will Rock You'

Actor Danny Mac: 'Strictly Come Dancing helped me to get leading roles'

Richard Jordan: Audiences decide which shows are events, not their marketing campaigns