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Lekhani Chirwa and children’s venue Z-arts triumph at Manchester Culture Awards

Mother Goose review

Reviews by Thom DibdinAyr Gaiety Theatre

Shakespeare has always engaged with those on society’s margins – it still does

Wicked is casting a spell over film audiences – what's the secret to its screen success?

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Everyone is welcome at the theatre, unless...

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

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Mind-expanding, never patronising: the Egg is a children’s theatre on a mission

Lekhani Chirwa and children’s venue Z-arts triumph at Manchester Culture Awards

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Fallow years: could theatre learn something from Glastonbury?

Opinion by Lyn Gardner

£20m revamp of West Midlands theatre complex approved

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Fallow years: could theatre learn something from Glastonbury?

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Opinion

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Shakespeare has always engaged with those on society’s margins – it still does

Wicked is casting a spell over film audiences – what's the secret to its screen success?

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Fallow years: could theatre learn something from Glastonbury?

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

If the National Theatre can’t afford primary schools tours, who can?

Alternates make roles their own – and should be saluted for it

Creative education is at a critical juncture. How can we play our part?

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Peter Panto and the Incredible Stinkerbell review

Riotous, class-conscious alternative panto

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Peter Panto and the Incredible Stinkerbell review

Reviews by Fergus MorganTron Theatre, Glasgow

Mind-expanding, never patronising: the Egg is a children’s theatre on a mission

Lekhani Chirwa and children’s venue Z-arts triumph at Manchester Culture Awards

“Extraordinary”

Mother Goose review

Reviews by Thom DibdinAyr Gaiety Theatre

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

“Sparkly, saucy spin on JM Barrie”

Recommended for you

Peter Panto and the Incredible Stinkerbell review

Reviews by Fergus MorganTron Theatre, Glasgow

Mind-expanding, never patronising: the Egg is a children’s theatre on a mission

Lekhani Chirwa and children’s venue Z-arts triumph at Manchester Culture Awards