It is time to make more noise, more usefully, to support freelance creatives

Freedom Studios becomes latest to close following loss of ACE funding

DCMS unlikely to recover up to £29m in Covid-era support loans

National Theatre Wales closes in current form a year after losing ACW funding

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Opinion

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One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Lyn Gardner’s reasons to be cheerful

There’s a theatre sinkhole in the north and the sector’s turning its back on it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Why pantomimes are so much more than just a Christmas treat

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

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Sadie Pearson: 'The more work you put on, the more opportunities come your way'

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The Tempest review

Striking, austere visuals and star casting can’t bring heart to this cold and incoherent take on Shakespeare’s story of magic, legacy and forgiveness.

Hotel guest book reveals historic details of Mayflower Theatre's past

A hotel visitors’ book signed by performers in the first-ever production at Southampton’s Mayflower Theatre has been presented to the venue

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Does Labour want the arts sector to collapse? – this week in Your Views

Freedom Studios becomes latest to close following loss of ACE funding

DCMS unlikely to recover up to £29m in Covid-era support loans

National Theatre Wales closes in current form a year after losing ACW funding

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Does Labour want the arts sector to collapse? – this week in Your Views

Freedom Studios becomes latest to close following loss of ACE funding

DCMS unlikely to recover up to £29m in Covid-era support loans

National Theatre Wales closes in current form a year after losing ACW funding