Drama schools can radically reimagine theatre’s future

Central School floats voluntary redundancies amid sector challenges

Rose Bruford boss: Maintaining audition fees means only the privileged will train

Ray Fearon: In-debt drama graduates are more interested in Netflix than theatre

What should I look for when choosing a drama school?

Beware trying to adapt a masterpiece for the stage

When exactly do you become an ‘advanced’ lighting designer?

Does theatre’s artistic leadership model need to evolve?

The loss of artists should be an opportunity for one last honour, not the source of dispute

If Labour really wants a better future for Britain’s arts sector, it can learn a lot from Australia

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Does theatre’s artistic leadership model need to evolve?

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

The importance of being dangerous: what should and shouldn’t be aired on stage

Women are people, not plot devices – why do I still have to say this in 2024?

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What should I look for when choosing a drama school?

Central School floats voluntary redundancies amid sector challenges

Rose Bruford boss: Maintaining audition fees means only the privileged will train

Ray Fearon: In-debt drama graduates are more interested in Netflix than theatre

Orla O’Loughlin

Orla O’Loughlin is vice principal and director of drama at Guildhall School of Music and Drama

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Drama schools can radically reimagine theatre’s future

Opinion

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What should I look for when choosing a drama school?

Beware trying to adapt a masterpiece for the stage

When exactly do you become an ‘advanced’ lighting designer?

Does theatre’s artistic leadership model need to evolve?

The loss of artists should be an opportunity for one last honour, not the source of dispute

If Labour really wants a better future for Britain’s arts sector, it can learn a lot from Australia

Does theatre’s artistic leadership model need to evolve?

What’s gone wrong with Scottish theatre?

If Labour really wants a better future for Britain’s arts sector, it can learn a lot from Australia

The loss of artists should be an opportunity for one last honour, not the source of dispute

When exactly do you become an ‘advanced’ lighting designer?

Are writers being sidelined in theatre marketing and beyond?

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

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Italia Conti 2024 Scholarship Winner

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Gary Oldman returns to stage after 40 years

Gary Oldman is to star in Samuel Beckett’s Krapp’s Last Tape at York Theatre Royal next spring

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What should I look for when choosing a drama school?

Central School floats voluntary redundancies amid sector challenges

Rose Bruford boss: Maintaining audition fees means only the privileged will train

Ray Fearon: In-debt drama graduates are more interested in Netflix than theatre

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

Lucie Lutte: 'Getting feedback from peers helps with growing a tough skin for criticism'

Italia Conti 2024 Scholarship Winner

Recommended for you

What should I look for when choosing a drama school?

Central School floats voluntary redundancies amid sector challenges

Rose Bruford boss: Maintaining audition fees means only the privileged will train

Ray Fearon: In-debt drama graduates are more interested in Netflix than theatre