Does theatre’s artistic leadership model need to evolve?

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Long Reads by Holly Williams

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

Cate Blanchett and James Graham to become National Theatre trustees

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Theatre company COLAB opens ‘fully accessible’ immersive venue

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Anonymous letter warns former Actors’ Benevolent Fund trustees to ‘be afraid’

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Patching over problems is no longer enough. Theatre needs radical change

Funded venues are struggling. It’s why fringe theatre is so important

Opinion

Latest
Most Read

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

If the National Theatre can’t afford primary schools tours, who can?

Alternates make roles their own – and should be saluted for it

We make putting on panto look easy – oh no it isn’t

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

A capital development project aimed at putting accessibility at the heart of Orange Tree Theatre is scheduled to begin in 2026

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

A capital development project aimed at putting accessibility at the heart of Orange Tree Theatre is scheduled to begin in 2026

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Theatre company COLAB opens ‘fully accessible’ immersive venue

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Long Reads by Holly Williams

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

Cate Blanchett and James Graham to become National Theatre trustees

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Theatre company COLAB opens ‘fully accessible’ immersive venue

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Long Reads by Holly Williams

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

Cate Blanchett and James Graham to become National Theatre trustees