Natasha Tripney: The German festival helping young directors find their voice

SUBSCRIBE

Broadway & International

Training & Drama Schools

Backstage & Technical

Opera

Dance

West End

Musical Theatre

Pantomime

Edinburgh Fringe

Obituaries & Archive

NPO 2023-26

Awards

Jobs & Auditions

Hot Topics

Acting & Performance

Shakespeare

Natasha Tripney

International Editor

More from this Author

The meaning of taking risks in theatre? It depends on where you’re from

Not everything is equal when it comes to international festivals

Can cult horror film Saint Maud haunt audiences as a stage play?

Producers face immense personal and professional pressures – here’s how we can help

Opinion by Nassy Konan

Broadway theatres to dim lights in honour of Maggie Smith

News by Georgia Luckhurst

Will the US election results mean a fight for the integrity of our theatres?

Opinion by Howard Sherman

TEETH review

Reviews by Lane WilliamsonNew World Stages, New York

Producers face immense personal and professional pressures – here’s how we can help

Everyone is welcome at the theatre, unless...

Funded venues are struggling. It’s why fringe theatre is so important

Will the US election results mean a fight for the integrity of our theatres?

Big ideas are required to tackle the freelance crisis

The meaning of taking risks in theatre? It depends on where you’re from

Does theatre’s artistic leadership model need to evolve?

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Beware trying to adapt a masterpiece for the stage

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Funded venues are struggling. It’s why fringe theatre is so important

Recommended for you

Producers face immense personal and professional pressures – here’s how we can help

Opinion by Nassy Konan

Broadway theatres to dim lights in honour of Maggie Smith

News by Georgia Luckhurst

Will the US election results mean a fight for the integrity of our theatres?

Opinion by Howard Sherman

Comedy The Last Laugh to play West End on 2025 UK tour

Production News by Georgia Luckhurst

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

The meaning of taking risks in theatre? It depends on where you’re from

Not everything is equal when it comes to international festivals

Can cult horror film Saint Maud haunt audiences as a stage play?

Opinion

Latest
Most Read

Producers face immense personal and professional pressures – here’s how we can help

Everyone is welcome at the theatre, unless...

Funded venues are struggling. It’s why fringe theatre is so important

Will the US election results mean a fight for the integrity of our theatres?

Big ideas are required to tackle the freelance crisis

The meaning of taking risks in theatre? It depends on where you’re from

Finally – a decent theatre trailer

Funded venues are struggling. It’s why fringe theatre is so important

Everyone is welcome at the theatre, unless...

Have we missed a golden generation of theatre critics?

Things that go bump in the stalls: where might you feel a ghostly presence tonight?

The meaning of taking risks in theatre? It depends on where you’re from

Advice

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

by John Byrne

Matt Wilde: 'Be brave, be bold'

by John Byrne

Changing courses: how drama training is evolving to meet theatre industry demands

by John Byrne

Want a career in technical theatre? Here are tips on the route forwards

by Rob Halliday

Decentralisation of decision-making in arts outlined in report

A national culture fund that would be distributed "based on need, not competition" is among the recommendations of a report looking at how decision-making for the arts can be decentralised

Decentralisation of decision-making in arts outlined in report

A national culture fund that would be distributed "based on need, not competition" is among the recommendations of a report looking at how decision-making for the arts can be decentralised

Jobs

Redcoat Auditions

City: Various Salary: Competitive

Fast Forward: the German festival helping young directors find their voice

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital