Fast Forward: the German festival helping young directors find their voice

Long Reads by Holly Williams

Swept Away review

Reviews by Lane WilliamsonLongacre Theatre, New York City

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

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Opinion

Latest
Most Read

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

We make putting on panto look easy – oh no it isn’t

Call me Scrooge, but this over-told tale is so rarely done well

If the National Theatre can’t afford primary schools tours, who can?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

Death Becomes Her review

Exuberant musical comedy based on the hit 1990s film

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Members of the House of Lords have expressed ‘profound concern’ about the UK’s arts sector following chancellor Rachel Reeves’ autumn Budget

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Redcoat Auditions

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Head of Stage

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Sound No 1

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The Swallow in The Happy Prince

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Narrator in The Happy Prince

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Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

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Death Becomes Her review

Reviews by Lane WilliamsonLunt-Fontanne Theatre, New York

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Long Reads by Holly Williams

“Lacks bite”

Swept Away review

Reviews by Lane WilliamsonLongacre Theatre, New York City

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

“Supersized Broadway spectacle”

Recommended for you

Death Becomes Her review

Reviews by Lane WilliamsonLunt-Fontanne Theatre, New York

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'