Excellence and inclusion can co-exist – thinking otherwise is out of touch
Amy Trigg with her Olivier award for best supporting actress in a musical for The Little Big Things. Photo: Joanne Davidson
The push for inclusivity in the arts is starting to bear fruit, with disabled-led work achieving well-deserved success, says Andrew Miller. So why is the idea that access and excellence can go hand in hand still not accepted by some?
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.