Diversity, of all kinds, must not be an afterthought

My favourite play: Penelope Wilton

Steffan Rhodri: ‘I have just played Banquo but I wouldn’t mind playing Macbeth’

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

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Ukrainian play based on survivors' testimonies lands UK premiere

My favourite play: Penelope Wilton

Steffan Rhodri: ‘I have just played Banquo but I wouldn’t mind playing Macbeth’

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

Natalie Ibu

Natalie Ibu is artistic director and joint chief executive of Northern Stage. She was previously artistic director of Tiata Fahodzi

More from this author

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Diversity, of all kinds, must not be an afterthought

Opinion

Latest
Most Read

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Fallow years: could theatre learn something from Glastonbury?

If the National Theatre can’t afford primary schools tours, who can?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Alternates make roles their own – and should be saluted for it

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Wicked big-screen adaptation enjoys record-breaking opening

The film cashed in an estimated $114 million (£90.7 million) in the US and $164.2 million globally on its first weekend

Wicked big-screen adaptation enjoys record-breaking opening

The film cashed in an estimated $114 million (£90.7 million) in the US and $164.2 million globally on its first weekend

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Ukrainian play based on survivors' testimonies lands UK premiere

My favourite play: Penelope Wilton

Steffan Rhodri: ‘I have just played Banquo but I wouldn’t mind playing Macbeth’

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

Appointments by Giverny Masso

More about this organisation

Chinonyerem Odimba appointed artistic director of Tiata Fahodzi

We should be paying artists now to imagine the new world after coronavirus

Opinion by Natalie Ibu

Tiata Fahodzi and The Stage launch backstage photo library featuring people of colour

News by Matthew Hemley

Natalie Ibu

Big Interviews by Holly Williams

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Ukrainian play based on survivors' testimonies lands UK premiere

My favourite play: Penelope Wilton

Steffan Rhodri: ‘I have just played Banquo but I wouldn’t mind playing Macbeth’

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp