Actor and playwright Anthony Spargo has denied the suggestion that artificial intelligence could replicate the "soul" of a good pantomime script – at least for the time being.
Spargo, who left the Pantomime Awards 2025 with the gong for best script for his work on Greenwich Theatre’s Dick Whittington and His Cat, said he had tested the technology and found its attempt to create a pantomime lacking in "comedy bones".
Asked whether AI could easily mimic the beats of an art form often based on existing fairytales and folklore, Spargo said: "No. When certain AI devices came about, I had a go. And for want of a better word, [the result] was shit."
He said: "I told it: ’Write a comedy scene between these characters.’ It couldn’t do it. It can’t do it because it doesn’t have a heart, it doesn’t have a soul. And it doesn’t have comedy bones – you can’t teach a computer that yet, thankfully."
Spargo admitted it was possible that in "however many years" intelligent technology may be inventive enough to compete with writers, but said: "I don’t think we’re there. I don’t think we’ve got anything to worry about yet."
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His fellow winner, Antony Stuart-Hicks, who picked up the Christopher Biggins award for best dame, agreed.
Stuart-Hicks, a senior producer at Mercury Theatre who won for his appearance in the Colchester venue’s The New Adventures of Peter Pan, told The Stage he had also conducted his own experiments with AI and found that "while in form" the result "looked like a panto script", there was "no heart in it – it’s all completely clinical".
"The way you can identify a really good script is that it has heart, but predominantly it has humour," Stuart-Hicks said.
"If it’s fuelled on humour, it doesn’t matter whether you are from this country or not, whether you’ve seen a panto before or not, whether you are able to see or not, whether you need to watch with captioning or a BSL interpreter – you can feel the vibrations of that humour, and that’s what’s key."
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