Oliver-award-winning actor Amy Trigg has called on fellow performers to ‘pass on’ roles they are not appropriate for.
Trigg was speaking at a panel about access at The Stage’s Future of Theatre 2024 conference, in association with Moore Kingston Smith.
When asked at the close of the panel what she saw as the next "big idea" in access, Trigg said: "I’d say making sure the right people are in the right places and making room if you’re not the right person.
"I know, for instance, that I’ve been asked to write certain stories that I shouldn’t be writing – someone else should be writing those stories. I’ve been asked to play characters that would be inappropriate for me to play, so I’ve passed on it."
She added: "The more people start doing that and start realising that they need the right people in the room at the very beginning of the process, whether that’s auditioning or writing a show, that’s really important. People are the next big step.”
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Trigg’s comments come amid the backlash to Shakespeare’s Globe opting to cast a non-disabled actor as Richard III, with the recently formed Disabled Artists Alliance saying the decision prioritised artistic intentions over "disabled people’s welfare".
The Access in Action panel, chaired by Amanda Parker, featured Trigg in conversation with Nimax Theatres chief executive Nica Burns, co-artistic director of Candoco Dance Company Dominic Mitchell and Megan Merrett, projects administrator at Creu Cymru.
Trigg, who recently won an Olivier award for her performance in The Little Big Things, also suggested at the panel that access riders be filled out by everyone, regardless of whether or not they were disabled.
She argued that this would soothe a widespread worry for disabled actors that stipulating access requirements would preclude future employment.
"It can be difficult and scary having those kinds of conversations," Trigg said, adding: "Access is about rest and time management."
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