Fergus Morgan is The Stage’s Scotland Correspondent. He has also written for The Scotsman, The Independent, TimeOut, WhatsOnStage, E ...full bio
Second series of Simon Evans’ marvellous meta-theatrical comedy
Back in June – two lockdowns ago – director Simon Evans swapped stage for screen and created one of the finest, funniest things to come out of theatre’s much-mentioned pivot to digital. BBC One’s Staged, featuring David Tennant and Michael Sheen playing vulgarised versions of themselves over Zoom, was a meta-theatrical marvel – six episodes of self-parody that deliciously sent up luvvies’ lives in lockdown.
Now the country has basically returned to last Spring, so too has Staged, which is back on the Beeb with eight more fifteen-minute episodes, all available on iPlayer. The existential ennui is back. The plinky-plonky plaintive piano is back. The semi-improvised silliness is back. And it is still great, even if it doesn’t quite hit the peaks of its original outing.
The concept for the first series was that Evans, Sheen and Tennant were attempting to continue rehearsals for a paused Pirandello production online. The concept for the second adds another layer of meta: it acknowledges that series one was a fiction – episode one starts with Tennant and Sheen being interviewed by Romesh Ranganathan about it – and plays around with the idea that the show is being remade for American audiences, without either of its stars.
That might sound a bit complicated, and it is, but that is all part of the fun. Evans was a magician before he was a director – he performed in Pizza Express as a teenager – and that tendency to toy with reality is on full display here, just as it is in the frantic fringe shows he creates with fellow director David Aula. The disorientation is all part of the delight.
The key thing is that the Sheen-Tennant double-act is back. Evans uses the conceit of them being recast for a US remake – and the ire that induces – as a tool to totally dismantle their senses of self. Tennant, with longer locks and a scruffier hoody, becomes insufferably introspective. Sheen, hair and beard exploding from his face, becomes utterly intolerant. They bicker. They bite. They fight. They fall out. They make up again.
They are ably supported, too. First and foremost by their real-life partners – the actors Georgia Tennant and Anna Lundberg – but also by a succession of increasingly starry names. Michael Palin pops up in the first episode, playing a superbly spiky version of himself, as does Whoopi Goldberg, playing their angry agent. And – no spoilers – it gets even starrier than that.
It’s always at its strongest, though, when it is just Sheen and Tennant, tooling around together for endless hours via video-call. Yes, it is self-obsessed. Yes, it is navel-gazing. But that is entirely the point. It’s a painfully funny portrait of two natural performers spiralling into insanity without an audience to applaud them.
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