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Siobhan Murphy

Siobhan Murphy

Biography

Siobhan Murphy was arts editor of Metro for nine years, and has contributed arts reviews to The Times, Time Out and dancetabs.com. 

Recent Articles

Birmingham Royal Ballet: The Nutcracker

Birmingham Royal Ballet: The Nutcracker

ReviewsDec 30, 2024
Birmingham Royal Ballet fills a daunting space with a neat take on a festive classic
Circa: Duck Pond review

Circa: Duck Pond review

ReviewsDec 23, 2024
A Swan Lake/Ugly Duckling mash-up put together with circus tricks is a strange bird indeed
Cat on a Hot Tin Roof review

Cat on a Hot Tin Roof review

ReviewsDec 18, 2024
Rebecca Frecknall turns the volume all the way up on Tennessee Williams’ tale of a family’s implosion
Matthew Bourne’s Swan Lake: The Next Generation review

Matthew Bourne’s Swan Lake: The Next Generation review

ReviewsDec 16, 2024
30th-anniversary outing for Matthew Bourne’s groundbreaking work lacks the old spark
English National Ballet: Nutcracker review

English National Ballet: Nutcracker review

ReviewsDec 13, 2024
English National Ballet’s new production is a cleverly imagined visual feast 
Acosta Danza: Nutcracker in Havana review

Acosta Danza: Nutcracker in Havana review

ReviewsDec 12, 2024
Carlos Acosta’s quirky reimagining of the classic Christmas tale adds tropical twists
Lost Dog – Ruination review

Lost Dog – Ruination review

ReviewsDec 6, 2024
Outstanding reimagining of the tale of Medea from Ben Duke and his Lost Dog company is the most anarchic Christmas show you’ll see
Cinderella review

Cinderella review

ReviewsDec 4, 2024
Royal Ballet’s spruced-up Cinders lacks a little sparkle
Eva Recacha: The Picnic review

Eva Recacha: The Picnic review

ReviewsNov 29, 2024
Musings inspired by Hieronymus Bosch’s The Garden of Earthly Delights don’t quite add up to a coherent work
Michael Keegan-Dolan/Teaċ Daṁsa: Nobodaddy review

Michael Keegan-Dolan/Teaċ Daṁsa: Nobodaddy review

ReviewsNov 28, 2024
Irish choreographer’s latest collaborative exploration is powered by a whirl of ideas
The Stage
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