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Siobhan Murphy

Siobhan Murphy

Biography

Siobhan Murphy was arts editor of Metro for nine years, and has contributed arts reviews to The Times, Time Out and dancetabs.com. 

Recent Articles

Rambert: Analogue review

Rambert: Analogue review

Moving meditation from Canadian choreographer Jill Johnson on the need for human connection 
Royal Ballet: The Winter’s Tale review

Royal Ballet: The Winter’s Tale review

Masterclass in storytelling from Christopher Wheeldon gets a triumphant 10th-anniversary revival
ErGao Dance Production Group: Disco-TECA review

ErGao Dance Production Group: Disco-TECA review

Frustratingly murky look at the disco phenomenon in early 1980s China
Birmingham Royal Ballet: The Sleeping Beauty review

Birmingham Royal Ballet: The Sleeping Beauty review

Beguiling 40th anniversary outing for Peter Wright’s appealing fairytale ballet
Shechter II: From England with Love review

Shechter II: From England with Love review

Murky state-of-the-nation snapshot doesn’t really engage with Englishness or its audience 
Paco Peña Flamenco Dance Company: Solera review

Paco Peña Flamenco Dance Company: Solera review

Flamenco veteran celebrates the blending of youth and experience in a show of intriguing contrasts
Aakash Odedra Company/Aditi Mangaldas Dance Company: Mehek review

Aakash Odedra Company/Aditi Mangaldas Dance Company: Mehek review

Age-gap romance is beautifully rendered by two stars of South Asian dance
English National Ballet: Johan Inger’s Carmen review

English National Ballet: Johan Inger’s Carmen review

Famously tempestuous tale gets a bleak and oddly distancing dance reworking from choreographer Johan Inger
Mark Bruce Company: Frankenstein – A Double Bill review

Mark Bruce Company: Frankenstein – A Double Bill review

Mark Bruce’s version of the tale of monster and creator is strongly danced, but narratively woolly
Phoenix Dance Theatre – Belonging: Loss. Legacy. Love review

Phoenix Dance Theatre – Belonging: Loss. Legacy. Love review

Leeds company returns with a trio of works that shift between poignancy and absurdity
The Stage

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