The Stage 25: Theatremakers to watch out for in 2022 and beyond

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Stephen Uppal: ‘Don’t get hung up if you have a bad audition. There will be more’

Training & Advice by John Byrne

Life coach and playwright Emily Jupp: ‘I encourage people to see the doors that are open instead of the closed ones’

Training & Advice by John Byrne

Is the West End really ‘maxed out’?

Opinion by Alistair Smith

Is the West End really ‘maxed out’?

by Alistair Smith

Today’s curriculum is killing the future of our arts sector

by Aleksander Szram

Olivier Awards 2025: what can we learn from this year's nominations?

by David Benedict

This is probably the most interesting new lighting product in years

by Rob Halliday

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Stephen Uppal: ‘Don’t get hung up if you have a bad audition. There will be more’

Training & Advice by John Byrne

Life coach and playwright Emily Jupp: ‘I encourage people to see the doors that are open instead of the closed ones’

Training & Advice by John Byrne

Is the West End really ‘maxed out’?

Opinion by Alistair Smith

Hamlet, March 5, 2025

Cartoons by Harry Venning

Shona McCarthy: ‘Running the Edinburgh Festival Fringe Society is not a job for the faint-hearted’

Casting for cruises: what do performers need to make it at sea?

David Shields: ‘Punch is the most challenging and most important thing I’ve ever done’

My favourite show: Paule Constable

Gwilym Lee: ‘I’m using Gareth Southgate’s teachings to prepare to play him in Dear England’

Smells like teen spirit: how is theatre catering for young adult audiences?

Pantomime Awards 2025: nominations in full

Television personality Rylan and actors Ben Goffe and Anthony Spargo are among the nominees for the Pantomime Awards 2025

Who has topped The Stage 100 2024? Last year, former culture secretary Nadine Dorries nabbed the spot, and before that, the list includes Ian McKellen, Vicky Featherstone and Sonia Friedman. But who got the top spot in 2024?

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My favourite show: Paule Constable

Which productions most inspired, moved and delighted our leading theatremakers? Lighting designer and associate director at the National Theatre Paule Constable chooses an opera directed by Barrie Kosky