With a Regent’s Park Shakespeare in the summer and Wilde at the National Theatre in the winter, Richard Cant is having a very high-profile year. The actor tells Fergus Morgan about some of his favourite moments from a three-decade theatre career
Richard Cant’s calendar is filling up fast. Last week, it was announced that the 60-year-old actor will be joining Ncuti Gatwa, Sharon D Clarke and Hugh Skinner in Max Webster’s revival of Oscar Wilde’s The Importance of Being Earnest at the National Theatre in November. Before that, he is playing Malvolio in Owen Horsley’s production of Twelfth Night at Regent’s Park Open Air Theatre until mid-June.
“The Importance of Being Earnest is a really exciting prospect,” Cant says. “I’ve never done any Oscar Wilde. Until last year [when Cant starred in Daniel Raggett’s revival of The Vortex at Chichester Festival Theatre], I’d never done any Noël Coward, either. It just goes to show that if you hang around long enough, it all comes your way eventually.”
Born in Kent in 1964, Cant is the son of actor and children’s television presenter Brian Cant, host of BBC Two’s Play School for 21 years. His mother, Mary, was an actor, too. Performing, Cant explains, was “in my blood, as they say”. He studied drama at the University of Bristol, then trained as an actor at the Royal Central School of Speech and Drama.
‘People were so excited by As You Like It in Romania. We had to climb out of the dressing room window’
Over the past three decades, Cant’s career has been “two-thirds theatre, one-third screen”. On stage, he appeared in Cheek by Jowl’s all-male As You Like It in 1991, Hamlet with the Royal Shakespeare Company in 1997, War Horse in the West End in 2012, My Night with Reg at London’s Donmar Warehouse in 2014 and The Normal Heart at the NT in 2021.
His screen credits include Channel 4’s It’s a Sin and the pilot episode of Midsomer Murders, in which he memorably played a sinister undertaker. In October, he was praised for his performance as Merle Miller in James Corley’s adaptation of the American writer’s essay What It Means to Be a Homosexual, at Wilton’s Music Hall.
“I’m thankful I’ve had the chance,” Cant, who is gay, says of his roles in My Night with Reg, The Normal Heart and What It Means. “If you are a gay actor and you get gay roles, that’s great, because it didn’t happen when I was young. Back then, I couldn’t get seen for things that clearly I was well suited to. Of course, anyone can play anyone within reason, but it is nice to feel that there is an area you can bring your experience to.”
Last year, it was revealed that Cant was in a relationship with writer and radio presenter Reverend Richard Coles, after the pair met on a dating site. “He’s very busy and I’m very busy, but we do go to the theatre together when we get the chance,” Cant says. “To be honest, he is so busy that it is me going to see him do stuff more often than not.”
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My family somehow received cheap theatre tickets so we would get the train to London to see shows constantly. To be honest with you, the thing that most excited me as a 10-year-old was the original production of Godspell (1971). We went to see it three times.
I saw Minority Report at the Lyric Hammersmith last week. That was terrific. Before that, I saw Faith Healer there, too, which was also wonderful.
I’d love to play Polonius but perhaps I’m not old enough yet. Casting has opened up a lot age-wise and gender-wise, though, so there are a lot of possibilities now.
Access is the most fundamental thing. And not just access to theatre, but access to music, literature and everything else. I think undervaluing an education in the arts is so foolish. Of course, maths is very important but children need to be imaginative, too.
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I was left on stage with a horse puppet in War Horse. It was probably only about 30 seconds but it felt like 10 minutes. The puppeteers were brilliant but there was only so much the horse could do to help me.
We took As You Like It to Romania in 1994, soon after the revolution and the fall of Ceaușescu. That was absolutely extraordinary. People were so excited by the show. We had to climb out of the dressing room window. It was like being in the Beatles.
I’m playing Malvolio in Twelfth Night at Regent’s Park Open Air Theatre. It is a wonderful part. I thought I could bring something to it. As you get older, you get more of a sense of how ridiculous we all are. Owen has imagined Olivia as the owner of a nightclub bar that has seen better days. You could describe it as an old gay bar on Ibiza, I suppose.
Twelfth Night is at Regent’s Park Open Air Theatre until June 8. openairtheatre.com
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