I was that gay, small-town musical theatre boy who listened to every cast recording he could get his hands on and then memorised the lyrics and liner notes, too. At university, my ability to play piano (however badly at the time) meant I became somewhat in demand by the musical theatre students and faculty, and it all took off from there.
As a professional music director, I was already ‘teaching’, in a sense. Literally teaching songs to casts of musicals and also working with singing actors to shape and craft their musical performances. Formalising that into an academic career was a natural next step.
See every piece of theatre you possibly can (not just what you think you’ll enjoy), from West End and Broadway shows to the tiniest cabarets, school productions, tours and videos of past productions. It will all inform your own art, teach you about style and expectations, and hopefully inspire you. Be specific in examining what it is you do or do not respond to as an audience member.
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I wish that musical theatre as a medium wasn’t so generalised. It is an art form and a medium of storytelling and has the capability of doing anything you need it to.
My students. Helping them blossom into the brilliant future performers of this art form I love so dearly is a real privilege. I especially love working with those who share my enthusiasm for quality writing and artistry in musicals past, present and future.
Listening to the same handful of audition songs over and over every year. Please, delve a little deeper for your audition and cabaret material. There are thousands of brilliant musicals and amazing songs out there if you know where to look.
This is partly what inspired me to write Your Rep Book – I could see this was an area where students, and professionals, needed help to make this process easier.
I admire any artist who takes musical theatre seriously as an art form – which doesn’t mean they necessarily make “serious” musicals, but that they understand and appreciate the work and artistry that goes into making a musical and aspire to artistic greatness within the form.
Adam Wachter is a lecturer in musical theatre at RWCMD as well as a music director, composer, lyricist and author of Your Rep Book: How to Find, Choose and Prepare Successful Audition Songs, published by Methuen Drama
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