An independent report on the Royal Exchange’s last-minute cancellation of A Midsummer Night’s Dream has finally arrived, says Lyn Gardner, but many questions remain over the Manchester venue’s actions – and how it can mend its bridges
Art has long been used to speak truth to power, but with any glimmer of controversy threatening funding, theatres and arts organisations are all too often muted, says Lyn Gardner
The dissonance in Nandy’s speech shows how far theatre has to go in articulating the need for investment in people, not just buildings, says Amanda Parker
As Trafalgar Entertainment continues its rapid regional expansion, co-founder Howard Panter declares London’s theatre scene ’maxed out’. But with audience demand high and new venues continuing to open, does he really mean that the capital has no room left to grow?, asks Alistair Smith
Creating theatre abroad has its challenges, among them language barriers and cultural differences, but it also has its rewards. Five directors who have made work in other countries tell Natasha Tripney about their experiences and the differences in the way those places operate compared with the UK
He made his name singing and dancing in some of the biggest musicals in the world, but Charlie Stemp is now excited to be trying something different by taking on several roles in a comedy take on Dracula, he tells Fergus Morgan
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