We Didn’t Come to Hell for the Croissants review
“Weird and constantly surprising”
Jemma Kahn in We Didn’t Come to Hell for the Croissants at Riverside Studios, London. Photo: Dean Hutton
South African theatremaker Jemma Kahn performs her seductive, slightly giddying monologue of outrageous stories like a well-oiled machine
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or start a 13-week trial for just £13 and get unlimited access to thestage.co.uk.