ao link

The Yeomen of the Guard review

“The Sinfonia neatly handles the mercurial score”
Matthew Kellett (centre) in The Yeomen of the Guard at Opera Holland Park, London. Photo: Ellie Kurttz
Matthew Kellett (centre) in The Yeomen of the Guard at Opera Holland Park, London. Photo: Ellie Kurttz
Opera Holland Park’s Yeomen of the Guard sounds good, but lacks visual impact

Support The Stage by registering or subscribing

To continue reading this article you must be logged in.

Register or login below to unlock 3 free articles every month.

 

OR 

 

Or subscribe today and get unlimited access to thestage.co.uk.

Remember Login

More on this topic

More Reviews

23.5 Hours review

23.5 Hours review

The Last Word review

The Last Word review

ZooNation: The Mad Hatter’s Tea Party review

ZooNation: The Mad Hatter’s Tea Party review

Follow the Signs review

Follow the Signs review

Aspects of Love review

Aspects of Love review

King Lear review

King Lear review

Staged

Staged

Sunset Boulevard review

Sunset Boulevard review

Recommended for you

Claire Jackson

Claire Jackson

More Reviews

23.5 Hours review

The Last Word review

ZooNation: The Mad Hatter’s Tea Party review

Follow the Signs review

Recommended for you

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £5.99

The Stage

© Copyright The Stage Media Company Limited 2024

Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube
We use cookies so we can provide you with the best online experience. By continuing to browse this site you are agreeing to our use of cookies. Click on the banner to find out more.
Cookie Settings