The Last Five Years

Originally opening at Southwark Playhouse, this production of Jason Robert Brown’s chamber musical closed along with everything else at the beginning of the first lockdown. It returned later in 2020 and now makes the deserved transition to the West End, where it undoubtedly belongs.

Director Jonathan O’Boyle’s sophisticated production is simplicity itself, transforming a potentially confusing plot line into a smooth narrative that flows seamlessly. Designer Lee Newby’s set accentuates this streamlined approach, featuring little more than a grand piano, a revolve and a judicious amount of haze. Jamie Platt’s exquisite, atmospheric lighting design pulls it all together.

The show tells the story of the relationship between author Jamie and aspiring actor Cathy. Jamie’s story travels forward in time from their first meeting, while Cathy’s travels back in time from their divorce. They only communicate directly in the middle of the show as they take their vows.

It’s a production that ultimately rests on the quality of its cast, Oli Higginson and Molly Lynch. They give superlative, visceral performances capturing the excitement of new love and the agony of divorce. Exceptional vocalists both, they also bring an emotional authenticity to Brown’s diverse score. This deeply personal musical, prompted by Brown’s own divorce, has never appeared on Broadway. If small cast shows are being sought out for the Great White Way in the post-pandemic era, then this production should be a shoo-in.