Broadway & International

Training & Drama Schools

Backstage & Technical

Opera

Dance

West End

Musical Theatre

Pantomime

Edinburgh Fringe

Obituaries & Archive

NPO 2023-26

Awards

Jobs & Auditions

Hot Topics

Acting & Performance

Shakespeare

The Captive Queen

“Barrie rutter's swansong”

ReviewsFeb 7, 2018by Natasha TripneySam Wanamaker Playhouse, London

Angela Griffin and Barrie Rutter in The Captive Queen at Sam Wanamaker Playhouse. Photo: Tristram Kenton

Support The Stage by registering or subscribing

To continue reading this article you must be logged in.

Register or login below to unlock 3 free articles every month.

OR

Or subscribe today and get unlimited access to thestage.co.uk.

Natasha Tripney

International Editor

More from this Author

Meet NTGent’s new in-house artist – but Alva Ishii doesn’t really exist

The meaning of taking risks in theatre? It depends on where you’re from

Forced Entertainment at 40: ‘We’re part of British theatre, but we’re also not part of it’

Wolves on Road review

Reviews by Anya RyanBush Theatre, London

Royal Ballet: Maddaddam review

Reviews by Siobhan MurphyRoyal Opera House, London

The Sound Voice Project review

Reviews by Yehuda ShapiroLinbury Theatre, Royal Opera House, London

The Red Shoes review

Reviews by Dave FargnoliSwan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Wolves on Road review

Bush Theatre, London

Royal Ballet: Maddaddam review

Royal Opera House, London

The Sound Voice Project review

Linbury Theatre, Royal Opera House, London

The Red Shoes review

Swan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Aspects of Love review

Lyric Theatre, London

King Lear review

Wyndham's Theatre, London

Staged

BBC One

Sunset Boulevard review

Savoy Theatre, London

Recommended for you

Wolves on Road review

Reviews by Anya RyanBush Theatre, London

Royal Ballet: Maddaddam review

Reviews by Siobhan MurphyRoyal Opera House, London

The Sound Voice Project review

Reviews by Yehuda ShapiroLinbury Theatre, Royal Opera House, London

The Red Shoes review

Reviews by Dave FargnoliSwan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Meet NTGent’s new in-house artist – but Alva Ishii doesn’t really exist

The meaning of taking risks in theatre? It depends on where you’re from

Forced Entertainment at 40: ‘We’re part of British theatre, but we’re also not part of it’

Reviews

Latest
Most Read

Wolves on Road review

Royal Ballet: Maddaddam review

The Sound Voice Project review

The Red Shoes review

Ocean Hester Stefan Chillingworth: Blood Show review

Going for Gold review

The Curious Case of Benjamin Button review

The Red Shoes review

The Tales of Hoffmann review

Burnt-Up Love review

Pontypool review

Women Who Blow on Knots review

Jobs

Deputy Head of Electrics

City: London Salary: SOLT/BECTU ...

Apply

Theatre Technician

City: Winchester Salary: £23,409 - £...

Apply

Potters Theatre Company - Le...

City: Hopton Salary: Competitive

Apply

Technical Manager 1.0 FTE

City: London Salary: £38,071 - £...

Apply

Redcoat Auditions

City: Various Salary: Competitive

Apply

Marketing Manager

City: Blackpool Salary: £30,000 per...

Apply

Head of Stage

City: London Salary: SOLT/BECTU ...

Apply

Head of Musical Theatre (Lea...

City: Dubai Salary: 20,000 AED ...

Apply

Sound No 1

City: London Salary: Salary base...

Apply

Entertainer at Five Lakes

City: Maldon, Essex Salary: Competitive

Apply

Costume Cutter

City: Leeds Salary: £25,685 per...

Apply

Technical Director

City: Chichester Salary: £60-£70,000...

Apply

Rigging Technician

London £32,188 per annum

Apply

Automation Operator

Overseas Competitive inc. fl...

Apply

Deputy Stage Manager - Matil...

London Competitive

Apply

More about this person

Barrie Rutter: Film acting techniques are 'monster' of today's theatre

News by Giverny Masso

Northern Broadsides' Conrad Nelson: ‘I don’t mind responsibility – I’ve always seen things from above’

Features by Chris Bartlett

Two Noble Kinsmen

Reviews by Rosemary Waugh

Northern Broadsides executive director to step down as Barrie Rutter replacement confirmed

News by Georgia Snow

More about this organisation

Coronavirus: West Midlands arts sector plans region-wide recovery effort

News by Georgia Snow

Bristol University's theatre history archive given designation status by ACE

News by Georgia Snow

Campaigners urge Arts Council to embed climate emergency in its 10-year strategy

News by Georgia Snow

Arts Council repeats calls for Ofsted to restrict top ratings to schools with ‘strong arts offer’

News by Matthew Hemley

More Reviews

Wolves on Road review

Bush Theatre, London

Royal Ballet: Maddaddam review

Royal Opera House, London

The Sound Voice Project review

Linbury Theatre, Royal Opera House, London

The Red Shoes review

Swan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Recommended for you

Wolves on Road review

Reviews by Anya RyanBush Theatre, London

Royal Ballet: Maddaddam review

Reviews by Siobhan MurphyRoyal Opera House, London

The Sound Voice Project review

Reviews by Yehuda ShapiroLinbury Theatre, Royal Opera House, London

The Red Shoes review

Reviews by Dave FargnoliSwan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Theatre Cafe Diner singing waiters chasing 'thousands of pounds' in gratuities

Actor Timothy West dies aged 90

The Red Shoes review

James Norton: I had panic attacks in A Little Life – I was a mess

National Theatre cuts tours to primary schools in ‘deeply damaging’ move

Nicola Walker and Stephen Mangan to star in new Mike Bartlett play

Black-led theatre company Eclipse closes

Paul Mescal to return to West End in A Streetcar Named Desire

Dang Academy to close after two years citing lack of funding

My favourite play: Indhu Rubasingham

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £5.99

SUBSCRIBE

Newspaper

More

Subscribe

Start a subscription today from just £7.99 Subscribe

The Captive Queen

Support The Stage by registering or subscribing

More from this Author

More on this topic

More Reviews

Recommended for you

More from this author

Reviews

More about this person

More about this organisation

More Reviews

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital