ao link

Sylvia review

“Ensemble is drilled to perfection”

Breathless hip-hop history of the suffragette movement is broad, but at times exhilarating

FacebookTwitterLinkedIn

You’ve never seen the suffragettes quite like this before – yet there’s plenty in this new musical that will seem familiar. Seen as a work-in-progress five years ago and created, directed and choreographed by Kate Prince for her female-led dance-theatre company ZooNation, it’s a hip-hop take on history, with a score by Josh Cohen and DJ Walde that also encompasses funk, soul and R’n’B.

Prince’s motormouth lyrics are adroitly crammed with intricate stacked rhymes, as the performers undulate, grind and pop their way through a whistle-stop tour of the Sylvia Pankhurst story. The obvious comparison is with mighty musical blockbuster Hamilton. But with its cartoonish tone and fist-pumping, feminist-lite energy, the show is a closer sister to Six, which puts a similar girl-power gloss on the wives of Henry VIII. Prince and Priya Parmar’s book sacrifices nuance to high-voltage freneticism. Still, it’s rambunctious fun – and at its best, it captures enough of the euphoric passion of protest to make you, too, want to take to the streets.

Beverley Knight is resplendent as campaigning mastermind matriarch Emmeline Pankhurst, her voice a molten, golden glory as she propels her daughters on to the front line. Chief foot soldiers are Ellena Vincent’s firebrand Christabel, defiantly radical in both her activism and her personal life as a lesbian; and luminous Sharon Rose as thoughtful art student Sylvia, less temperamentally inclined to hurl herself into direct action.

Among the men of the establishment is Alex Gaumond’s sympathetic but hypocritical married Labour Party founder Keir Hardie, with whom Sylvia has an affair, and who – though he’s chary of “mansplaining” – sparks in her the broader socialist ideals that set her at odds with her mother’s more narrowly female-focused cause. Then there’s Jay Perry’s popinjay Winston Churchill, nakedly ambitious and self-regarding, timorously caught between Verity Blyth as his steel-butterfly wife Clementine and his formidable mother (magnificent Jade Hackett, growling and spitting bars).


Related to this Review

Bradley CharlesBradley Charles
Kate Prince: ’I wanted to give hip hop dancers a platform beyond Top of the Pops’Kate Prince: ’I wanted to give hip hop dancers a platform beyond Top of the Pops’

Andrzej Goulding’s black, white and revolutionary-red video design economically suggests placards, headlines and shifting locations. Shadowy battalions of police beating women protestors, or a prison warder listing the horrific paraphernalia of force-feeding – the rubber tubes, the steel gags – are stark reminders of the struggle’s ugly reality. The gleeful misogyny, as well as the pleas of workers for decent housing, childcare and fair wages are all piquantly pertinent. Nor does Prince flinch from the brutal realpolitik of the suffragette movement, or the accusations of terrorism made against it. But too often people and events pass in a blur: Emily Davison’s famous collision with the King’s horse at Epsom is a bungled blip, and there’s an overall mismatch between heavyweight complexities and the show’s brisk, bright primary colours.

Yet the ensemble is drilled to perfection, not a fingernail or a syllable out of place, and Prince’s production has an exuberant, galvanising force. Its ideas need much more air; but in its transcendent moments of song and dance it does, more than once, leave you breathless.

Production Details
Production nameSylvia
VenueOld Vic
LocationLondon
Starts27/01/2023
Ends08/04/2023
Press night14/02/2023
Running time2hrs 30mins
AuthorKate Prince
ComposerDJ Walde, Josh Cohen
Book writerKate Prince, Priya Parmar
LyricistKate Prince
DramaturgLolita Chakrabarti
DirectorKate Prince
Associate directorDannielle Lecointe
Musical directorSean Green
OrchestratorDJ Walde, Josh Cohen, Mark Dickman, Leonn Meade
ChoreographerKate Prince
Set designerBen Stones
Costume designerBen Stones
Lighting designerNatasha Chivers
Sound designerTony Gayle
Video/projection designerAndrzej Goulding
Wigs, hair and make-up designerCynthia De La Rosa
Casting directorOliver Scullion, Stuart Burt
Cast includesAlex Gaumond, Beverley Knight, Bradley Charles, Ellena Vincent, Jade Hackett, Jay Perry, Kelly Agbowu, Kimmy Edwards, Kirstie Skivington, Stevie Hutchinson, Razak Osman, Sweeney, Hannah Khemoh, Verity Blyth, Kate Ivory Jordan, Sharon Rose, Todd Holdsworth, Jaye Marshall
Company stage managerMarius Arnold-Clarke
Deputy stage managerBeth Rennie
Assistant stage managerChelsea Shorrock
ProducerOld Vic, Sadler's Wells, The Kate Prince Company, ZooNation
FacebookTwitterLinkedIn
Add New Comment
You must be logged in to comment.
Sam Marlowe

Sam Marlowe

More Reviews

The Unseen review

The Unseen review

Swept Away review

Swept Away review

Pinocchio review

Pinocchio review

Aspects of Love review

Aspects of Love review

King Lear review

King Lear review

Staged

Staged

Sunset Boulevard review

Sunset Boulevard review

Sam Marlowe

Sam Marlowe

More Reviews

The Unseen review

Swept Away review

Pinocchio review

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £5.99

The Stage

© Copyright The Stage Media Company Limited 2024

Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube