Passion, Poison and Petrifaction / The Prodigal Son (L'enfant prodigue)

“Game of two halves”

ReviewsSep 15, 2021by Edward BhesaniaSusie Sainsbury Theatre, Royal Academy of Music, London

Themba Mvula, Sandeep Gurrapadi and Donna Bateman. Photo: Dominique Nok

Pegasus Opera’s double bill contrasts a dramatically unsalvageable Debussy opera with a comic murder drama based on a story by George Bernard Shaw

Support The Stage by registering or subscribing

To continue reading this article you must be logged in.

Register or login below to unlock 3 free articles every month.

OR

Or subscribe today and get unlimited access to thestage.co.uk.

The Pirates of Penzance review

Circa: Duck Pond review

Reviews by Siobhan MurphyRoyal Festival Hall, London

Here You Come Again reivew

Reviews by Paul ValeRiverside Studios, London

Peter Pan review

Reviews by Anya RyanGordon Craig Theatre, Stevenage

Circa: Duck Pond review

Reviews by Siobhan MurphyRoyal Festival Hall, London

Here You Come Again reivew

Reviews by Paul ValeRiverside Studios, London

Peter Pan review

Reviews by Anya RyanGordon Craig Theatre, Stevenage

Edward Bhesania is a writer and editor who reviews for The Stage and The Strad. He has contributed to The Observer, BBC Music Magazine, International Piano, The Tablet and Country Life, and written concert notes for the BBC Proms, London Symphony Orchestra, City of Birmingham Symphony Orchestra and Norwegian Chamber Orchestra

Passion, Poison and Petrifaction / The Prodigal Son (L'enfant prodigue)

Support The Stage by registering or subscribing

More from this Author

More on this topic

More Reviews

Recommended for you

More from this author

Reviews

More Reviews

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital