Mumsy review

The arrival of a third character, Sophie’s grandmother Linda (Sue Kelvin), adds a chaotic element, her broken leg and lack of options meaning that Rachel’s one-bed flat must now house three generations. Tensions over the past and unresolved traumas resurface, threatening to break the family’s bonds but the trio realise their love for one another is greater than their differences.

The women’s struggles are nicely balanced with an equal focus on the joy in their lives. From Sophie’s early dreams of motherhood to Linda’s impulsive decision to go to university, the three see challenges as obstacles to be overcome rather than crushed by. 

Zoë Waterman’s direction shines, teasing out a breathtaking performance from Jolleys, as well as strong turns from Stephenson and Kelvin. All create relatable and sympathetic characters. Bronia Housman’s set begins as minimalist and ordered, reflective of Rachel, before turning into a tsunami of clothes, blankets and pillows after Sophie’s arrival. The compromise between them is mirrored on the stage as the house becomes tidy – but still cluttered – by the end. 

Comedies about working-class women are rare. Those that portray those women in all their complexity without looking down on them are rarer still. Mumsy is a tender exploration of the power of connection and perseverance.