ao link

Anna Karenina review

“Never completely lets rip”
Chris Jenks and Adelle Leoncé in Anna Karenina at Crucible Theatre, Sheffield. Photo: Marc Brenner
Chris Jenks and Adelle Leoncé in Anna Karenina at Crucible Theatre, Sheffield. Photo: Marc Brenner
Poppy modern take on Tolstoy’s classic lacks a clarity of vision

Support The Stage by registering or subscribing

To continue reading this article you must be logged in.

Register or login below to unlock 3 free articles every month.

 

OR 

 

Or subscribe today and get unlimited access to thestage.co.uk.

Remember Login
Natasha Tripney

Natasha Tripney

More Reviews

Wolves on Road review

Wolves on Road review

Royal Ballet: Maddaddam review

Royal Ballet: Maddaddam review

The Sound Voice Project review

The Sound Voice Project review

The Red Shoes review

The Red Shoes review

Aspects of Love review

Aspects of Love review

King Lear review

King Lear review

Staged

Staged

Sunset Boulevard review

Sunset Boulevard review

Natasha Tripney

Natasha Tripney

More Reviews

Wolves on Road review

Royal Ballet: Maddaddam review

The Sound Voice Project review

The Red Shoes review

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £5.99

The Stage

© Copyright The Stage Media Company Limited 2024

Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube