ao link
News
Reviews
More...
Jobs
Tickets
Suppliers
Training
Events
Awards
Subscribe
SUBSCRIBE
User Menu
Remember Login
Register|Reset Password
Search

A Letter to Lyndon B Johnson or God: Whoever Reads This First review

“Accomplished and appealing”
ReviewsAug 10, 2024by Natasha TripneytheSpace @ Niddry Street
Xhloe Rice and Natasha Roland in A Letter to Lyndon B Johnson or God: Whoever Reads This First at theSpace @ Niddry Street, Edinburgh. Photo: Morgan McDowell
Xhloe Rice and Natasha Roland in A Letter to Lyndon B Johnson or God: Whoever Reads This First at theSpace @ Niddry Street, Edinburgh. Photo: Morgan McDowell
Energetically performed and physically dynamic two-hander from Xhloe and Natasha exploring American boyhood

Support The Stage by registering or subscribing

To continue reading this article you must be logged in.

Register or login below to unlock 3 free articles every month.

 

OR 

 

Or subscribe today and get unlimited access to thestage.co.uk.

Remember Login
Register|Reset Password
Natasha Tripney

Natasha Tripney

International Editor

More from this Author

More on this topic

Wolves on Road review

Wolves on Road review

Reviewsby Anya RyanBush Theatre, London
Royal Ballet: Maddaddam review

Royal Ballet: Maddaddam review

Reviewsby Siobhan MurphyRoyal Opera House, London
The Sound Voice Project review

The Sound Voice Project review

Reviewsby Yehuda ShapiroLinbury Theatre, Royal Opera House, London
The Red Shoes review

The Red Shoes review

Reviewsby Dave FargnoliSwan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

More Reviews

Wolves on Road review

Wolves on Road review

Bush Theatre, London
Royal Ballet: Maddaddam review

Royal Ballet: Maddaddam review

Royal Opera House, London
The Sound Voice Project review

The Sound Voice Project review

Linbury Theatre, Royal Opera House, London
The Red Shoes review

The Red Shoes review

Swan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon
Aspects of Love review

Aspects of Love review

Lyric Theatre, London
King Lear review

King Lear review

Wyndham's Theatre, London
Staged

Staged

BBC One
Sunset Boulevard review

Sunset Boulevard review

Savoy Theatre, London

Recommended for you

Wolves on Road review

Wolves on Road review

Reviewsby Anya RyanBush Theatre, London
Royal Ballet: Maddaddam review

Royal Ballet: Maddaddam review

Reviewsby Siobhan MurphyRoyal Opera House, London
The Sound Voice Project review

The Sound Voice Project review

Reviewsby Yehuda ShapiroLinbury Theatre, Royal Opera House, London
The Red Shoes review

The Red Shoes review

Reviewsby Dave FargnoliSwan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon
Natasha Tripney

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Reviews

Jobs

More Reviews

Wolves on Road review

Bush Theatre, London

Royal Ballet: Maddaddam review

Royal Opera House, London

The Sound Voice Project review

Linbury Theatre, Royal Opera House, London

The Red Shoes review

Swan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Recommended for you

Wolves on Road review

Reviewsby Anya RyanBush Theatre, London

Royal Ballet: Maddaddam review

Reviewsby Siobhan MurphyRoyal Opera House, London

The Sound Voice Project review

Reviewsby Yehuda ShapiroLinbury Theatre, Royal Opera House, London

The Red Shoes review

Reviewsby Dave FargnoliSwan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £5.99

SUBSCRIBE
The Stage
Subscribe

Subscribe

Start a subscription today from just £7.99 Subscribe

© Copyright The Stage Media Company Limited 2024

Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube