Why does radical European work get such a bum deal in the UK?

The Sound Voice Project review

Reviews by Yehuda ShapiroLinbury Theatre, Royal Opera House, London

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

US shows are resonating very differently after Trump’s election win

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Call me Scrooge, but this over-told tale is so rarely done well

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London theatres to dim lights for Timothy West

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

US shows are resonating very differently after Trump’s election win

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News by Katie Chambers

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Meet NTGent’s new in-house artist – but Alva Ishii doesn’t really exist

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Opinion

Latest
Most Read

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Call me Scrooge, but this over-told tale is so rarely done well

Patching over problems is no longer enough. Theatre needs radical change

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

'Musicals don't get written, they get rewritten' – is the old adage still true today?

US shows are resonating very differently after Trump’s election win

Everyone is welcome at the theatre, unless...

Advice

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Wayne McGregor: We can't rely on philanthropy to help rescue the arts

Choreographer Wayne McGregor has warned that philanthropy alone cannot rescue struggling theatres or adequately support underpaid dancers

Wayne McGregor: We can't rely on philanthropy to help rescue the arts

Choreographer Wayne McGregor has warned that philanthropy alone cannot rescue struggling theatres or adequately support underpaid dancers

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London theatres to dim lights for Timothy West

“Moving operatic work on the loss of speech”

The Sound Voice Project review

Reviews by Yehuda ShapiroLinbury Theatre, Royal Opera House, London

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

US shows are resonating very differently after Trump’s election win

Reviews by Frey Kwa Hawking

More about this organisation

The Making of Pinocchio review

The Motherhood Project

Long Reviews by Tracey Sinclair

Advice

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Recommended for you

London theatres to dim lights for Timothy West

“Moving operatic work on the loss of speech”

The Sound Voice Project review

Reviews by Yehuda ShapiroLinbury Theatre, Royal Opera House, London

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

US shows are resonating very differently after Trump’s election win